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PRIDE AND PREJUDICE by Jane Austen

"Becky George as Jane, Lydia, and Charlotte Lucas was perfect. Her Mrs Reynolds was a truly amazing characterisation, and had a wonderfully brisk way of walking around all those long corridors in Pemberley House. If this production of Pride and Prejudice is coming near to you my advice is to GO TO IT! You will have one of the best, fun-filled evenings ever"

austenonly.com (25 July 2010)

 


PRIDE AND PREJUDICE

"Two of the other sisters, each of them dimmer and shallower than Elizabeth, are nicely done by Becky George. She's also good as Mrs Reynolds, with a Scots accent, and she brings out the pathos in Charlotte."

Nottingham Evening Post

 


PRIDE AND PREJUDICE

"Wildly camp and hilariously funny, yet surprisingly skilful in creating sincerity for those moments when painful passions and perils broke through the romping comic capers. The cast were superb, especially[] Becky George who took on a medley of young ladies of which my favourite was Lydia, batty as Blackadder’s Queenie and just as imperious"

Plays International

 


THE WILD DUCK by Ibsen

Pegasus Theatre, Oxford

“Becky George is outstanding as Hjalmar’s daughter Hedwig, the innocent victim in all this”.

Paula Clifford, Oxford Times

 


ALICE THROUGH THE LOOKING-GLASS

The Minack theatre.

Minack’s magical looking glass

“All credit to the cast who may be small in number but are big in heart and talent – Becky George as a blonde, bright and breezy, very English and no nonsense, Alice, for making one believe in and enjoy “The pleasance of their fairy tale”.

Frank Ruhrmund, The Cornishman, Thursday 24 June 2004.


ALICE THROUGH THE LOOKING-GLASS

Newstead Abbey.

Play on words well staged

“Funny and visually attractive.  The five actors do a remarkable job. Becky George, as Alice, convinces us she is all elbows, a gawky, animated seven-year-old”.

Alan Geary

 

ALICE THROUGH THE LOOKING-GLASS

Williamson Park, Lancaster.

“Illyria played the pantomime, farce, music hall, burlesque, camp songs, Commedia dell’Arte and the other theatrical dimensions of this imaginative adaptation with total professionalism, superb timing, fine singing, and deft and vived movement”.

Michael Nunn, Friday 13 August 2004

 


 
 

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